NIGHTMARE CINEMA is a Classic Horror Anthology with Varying Results (Fantasia Fest Review)


I’m an enormous fan of the horror subgenre generally known as anthology horror or portmanteau horror, that means a single movie made up of a number of totally different quick topic tales, often unrelated to one another or knitted collectively by a framing machine or theme. These was a staple of horror within the ’70s and ’80s, with titles like Creepshow, Tales from the Crypt, and The House That Dripped Blood. Horror legend Mick Garris is evidently a really large fan of those motion pictures, as he’s put collectively a model new, five-story anthology known as Nightmare Cinema which is a enjoyable, if uneven, evening on the motion pictures.

Garris isn’t any stranger to the anthology, having produced each the Masters of Horror and Worry, Itself sequence, which noticed varied legends within the horror and sci-fi fields contribute self-contained episodes. For Nightmare Cinema, he’s joined by 4 different administrators to supply 5 completely totally different (and all tremendous gory) horror shorts all starting and ending in a creepy outdated movie show run by Mickey Rourke. The opposite administrators embrace Garris’ outdated pal Joe Dante (himself a veteran of one other anthology film, The Twilight Zone: The Film), David Slade (Exhausting Sweet), Alejandro Brugués (Juan of the Useless), and Ryûhei Kitamura (The Midnight Meat Prepare).

It’s an important lineup of filmmakers, however sadly the standard of the movies varies wildly for seemingly no purpose, although a few the tales are legitimately glorious.

We start with Brugués’ story, which finds a teenage camp counselor (Sarah Elizabeth Withers) working from a psychotic killer in welder gear, fittingly known as “the Welder.” What we get is mainly the ultimate act of a typical ’80s slasher film, however achieved with an eye fixed towards comedy. Everyone seems to be profoundly silly and the victims all die in hilariously graphic methods. I felt like this story went on a bit lengthy, however a twist towards the tip that gave it new life.

Dante’s vignette is up subsequent, whereby a gorgeous girl (Zarah Mahler) who’s had a minor however noticeable facial scar since delivery is satisfied by her supportive fiance (Mark Grossman) to get cosmetic surgery if she’s self-conscious about it. She then goes to see Dr. Mirari (Richard Chamberlain) and issues take a relatively sinister flip. This was a enjoyable one, with a depraved humorousness working all through and an ending proper out of the Cryptkeeper’s playbook.

Then we come to Kitamura’s entry, and I’ve to say, that is the one that nearly made me pack it in. This story takes place at a small Catholic boarding faculty the place a younger boy commits suicide. After his loss of life, different youngsters start exhibiting merciless, even demonic tendencies and outbursts. Finally, Father Benedict (Maurice Benard) and Sister Patricia (Mariela Garriga) understand the horrific reality and take issues into their very own fingers.

This part was flatly terrible, with dangerous appearing, gratuitous violence (and in no way in a humorous method) and it in the end doesn’t make any sense. For context, Kitamura is the director who made his mark in 2000 with the bananas yakuza-fight-zombies-in-the-woods film Versus, and he brings that very same gonzo method to violence right here, but it surely’s in a narrative that’s utterly not the suitable automobile for it. I can’t convey sufficient how a lot I disliked this part of the film.

And as I mentioned, I very practically wrote the entire film off proper there…till the subsequent story. David Slade has been a director not solely of options, however of some great episodes of TV reveals like Hannibal and American Gods. He additionally directed the Black Mirror episode “Metalhead,” and he brings that stark, greasy monochrome look to his story, which provides some a lot wanted visible dynamism to Nightmare Cinema.

Slade’s story has a mom (Elizabeth Reaser) within the ready room of a psychiatrist’s workplace along with her youngsters, and all the things seems to be gross and creepy. She evidently has some kind of dysfunction which makes individuals look hideous to her, evidenced by the evermore upsetting faces of the individuals round her. This story was actually nightmarish and bizarre, and of a totally totally different sort of horror than something up so far. This one leaves you unsettled and also you marvel the place that’s been prior.

And the ultimate story involves us courtesy of Garris himself, who additionally directed the wraparound segments filmed at Pasadena’s historic Rialto Theatre. His incorporates a younger boy (Faly Rakotohavana) who has a close to loss of life expertise by the hands of psychopath (Orson Chaplin) and begins seeing stressed spirits whereas in hospital, all whereas the psycho tries to complete the job. This last vignette brings some actual emotion to the movie and options some unimaginable tense moments in varied hospital rooms.

General, Nightmare Cinema is actually not a runaway success. It’s uneven to say the least, and I believe every of the tales might have benefited from somewhat extra size to flesh out story, characters, and concepts. The premise additionally doesn’t fairly coalesce the best way it should, although the thought of a movie show from hell is strong. However you watch an anthology horror film for the energy of particular person tales. Whereas the primary three tales by no means get larger than “simply okay” (with Dante’s the clear winner of the bunch), and that third story that simply didn’t work, the ultimate two are so good and so sturdy I ended up strolling away feeling good about the entire thing, and in the end are sufficient to make me advocate it. Simply possibly go get some popcorn when Father Benedict reveals up.

three out of 5

Photographs: Mike Moriatis/ Cinelou Movies

Kyle Anderson is the Affiliate Editor for Nerdist. You’ll find his film and TV reviews here. Follow him on Twitter!



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