Premiere: Indie Electronic Duo Slenderbodies Come Alive On New Single "Amnesia"




New Thoughts of a Genius signees, Slenderbodies, are beginning to get some buzz with their indie-electronic music that interprets effectively from a calming out listening session to the reside venue. We’re pleased to premiere the most recent minimize, “Amnesia” from their forthcoming Fabulist Prolonged EP. The tune has a …

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Joseph Kahn Is Trolling His Way To Indie Movie Success


Bodied

Adishankarbrand / TIFF

Final week, Joseph Kahn summoned the wrath of the Beyhive down upon himself — and never simply as soon as however repeatedly. For the typical particular person on-line, drawing the enraged consideration of one of many web's most devoted and formidable fandoms is one thing to be feared and prevented in any respect prices. However the 44-year-old Korean-American filmmaker didn't simply goad Beyoncé stans into assault with taunts about their inability to do real damage and quips to the press destined to right away be taken out of context, he greeted the inflow of bee emojis and tweeted insults like Lieutenant Dan howling defiance at a hurricane.

Or possibly similar to a director with a brand new film to advertise. “To be sincere, I did it on function,” Kahn admitted over espresso in Toronto, referring to his marketing campaign of strategic hive-poking and the ensuing media protection. And, he identified, it labored. “Everybody is aware of Bodied now. You may make an excellent movie, however when you throw it out right into a vacuum, the air doesn’t get in there. The one factor individuals care about as of late is movie star. My film has no stars. So all it’s a must to do is know methods to rattle the web cage.”

Bodied, which was the opening evening choose of the Toronto Worldwide Movie Competition's beloved Midnight Insanity program, is Kahn's first movie in six years, one he wrote with battle rapper Alex Larsen, aka Child Twist. Altogether, Kahn's made three movies, together with 2004's self-aware Quick and the Livid-but-with-motorcycles riff Torque, and the 2011 teen-comedy-slasher style mashup Detention, which, like Bodied, he funded himself. However the purpose he's so well-acquainted with the world of devoted pop fandoms is as a result of it's the entity through which he spends most of his time. He's greatest often called a outstanding, prolific, perpetually outspoken music video director who, since launching his profession within the early ’90s, has labored with everybody from Muse to Future's Youngster, Britney Spears to Dr. Dre. And, in fact, with Taylor Swift.

“Look What You Made Me Do”

Huge Machine Label Group

Since 2015, Swift has been the music artist with whom Kahn's profession has been most carefully linked. It's a connection boosted, partially, by Kahn's willingness to wade into the online fray in protection of the seemingly eternally embattled pop star (it's in speaking about Swift that Kahn is most cautious together with his phrases, describing her as an “wonderful goal”). Kahn has directed 5 music movies for Swift, together with the monster that’s “Clean Area” (2.16 billion views and counting) and late August's internet-breaker “Look What You Made Me Do.” He was nonetheless slugging it out on behalf of the latter, an intensely parsed and much-discussed video through which Swift contends together with her previous personas, within the days main as much as the Bodied premiere.

Kahn clearly isn't afraid of controversy or a battle. At a time when individuals working in Hollywood have gotten more and more cautious about their on-line presences, he's maintained one in every of most markedly salty, trolly Twitter feeds of any filmmaker working at the moment. (Illustrative pattern: “I just gotta remind everyone that my twitter has only one message. Fuck you.”) These details are much more crystal clear when watching Bodied, which stars former Disney Channel actor Calum Worthy and precise battle rappers like Dumbfoundead and Dizaster, and is a button-pushing comedy that makes use of the underground hip-hop scene as a method to sort out language wars, cultural appropriation, and freedom of speech.

But when that pitch sounds just like the ramp-up to the type of potential nightmare 4chan apologia you'd need to run away from, screaming, the fact of Bodied is much more conflicted, thought of, overstuffed with concepts, and sure, generally, even delicate. It’s a movie that argues on behalf of the appropriate to say something whereas concurrently emphasizing how a lot phrases can wound. “This movie has a number of points in it, and I'm not dismissing any of them,” Kahn stated. “Actually, one of many issues we're making an attempt to determine is, on the earth of absolute free speech, is there a restrict? Is there a consequence to going too far? I wished to discover the furthest attain of that.”

“Wildest Desires”

Huge Machine Information

Bodied was produced by Eminem, one other artist Kahn's directed videos for, and a person who famously received his begin within the freestyle rap battle scene. However whereas Eight Mile will get name-checked in Bodied, the movie primarily owes its existence to a Swift controversy. Extra particularly, it was born out of the one kicked up by the video Kahn did for “Wildest Dreams,” shot partially within the Serengeti and meant to evoke a location shoot for an previous Hollywood manufacturing à la The African Queen, with Swift and Scott Eastwood enjoying actors whose onscreen romance bleeds into actual life.

Kahn was conscious there have been, to make use of his phrase, “complexities” to this idea from the beginning — loads of shit through which to step. These included issues as as to whether the video would unintentionally make it seem like Swift was out to shoot lions as an alternative of a movie, and whether or not she'd be accused of “whitewashing historical past and ignoring segregation” if Kahn forged a black actor to play the director of the fictional function, as was his authentic impulse. These concerns did not dampen the firestorm of arguments the video set off about whether or not Swift was romanticizing colonization and erasing Africans from the African setting. Kahn wasn't having it.

“I began making jokes about it. I had one joke the place I stated, 'Asians can't be racists. Black or white, all canine style the identical to us.' Paper magazine wrote a whole hit piece on me speaking about how I don't do movies for minorities, which is absurd, as a result of I've performed 30 years of music movies and half of them are hip-hop.” Finally, he stated, the furor turned an inspiration. “I assumed, that is insane — it doesn’t matter what I write or what I say, they only need to be social media bullies. And the character of even speaking about race is so constricted behind the accusation, and never over the evaluation, and I assumed, Wow, there's a film.

Joseph Kahn on the Toronto Worldwide Movie Competition

Maarten de Boer / BuzzFeed Information / Getty Pictures

Which is the place battle rap got here in. “There's an anger in me, and it solely gave the impression to be expressed by a world the place a white man and a black man may make utterly racist jokes towards one another, worse than something I've ever written, after which they go get a beer collectively,” Kahn defined. However along with its explicit hip-hop scene, Bodied additionally retains one foot on campus, the place woker-than-thou characters are proven making an attempt to one-up one another in round conversations about race, gender, class, and privilege. Probably the most provocative concepts the movie floats is that the vocabulary of social justice has been co-opted for verbal one-upmanship simply as aggressive as battle rap.

“I really feel generally like when individuals who can't outsmart me on-line, they'll simply return to my previous tweets and say, 'Look, he's racist, don't hearken to him.' It's soiled play,” Kahn says. “They don't know me. They're simply taking jokes, and saying that each one stereotyped jokes are racist, which I genuinely don’t consider. A joke is a contradiction you agree with. Simply because the contradiction is harmful doesn't imply you don't agree with it.” Kahn sees Bodied as embracing that sense of hazard, whereas acknowledging that the intersection he's been occupying between an incendiary indie film and younger music fandom will be “messy and ugly.”

But additionally, possibly, advantageous? Bodied, which was well-received at TIFF, has but to cement a distributor, however Kahn's been tweeting about getting multiple offers. And definitely, for Kahn, all the eye didn't harm in attending to this place, even when a lot of it was indignant. “I don't assume it actually means a lot,” he stated of the web uproar. “I believe, on one degree, it's simply blowing up the pop stan world,” which then turns into a conduit to attract extra promotion of his movie work, particularly relating to his already notorious LA Times interview through which he joked, “Beyoncé copied 'Dangerous Blood.'” “What number of indie movies get linked tons of of occasions in an interview with a filmmaker speaking about race?” he identified. Then, not one to withstand, he added, “Thanks, Beyhive.”



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Justin Jay Continues To Challenge His Indie Roots With ‘Time’


Justin Jay is one in every of dance music’s nice undiscovered prodigies as proven by his newest single ‘Time’. I believe anybody can respect when a gifted EDM producer expands his or her wings in direction of genres exterior of the monotonous membership flooring rhythms. Between his contributions to Dirtybird, his personal Fantastic Voyage label, and his stay present Justin Jay’s Unbelievable Voyage, Justin has been capable of stay out his desires of a label fronting rockstar all whereas barely having completed faculty at USC Thorton College of Music. Together with his objectives and intentions set in stone, Justin continues his journey to new horizons of music by way of his newest single ‘Time’.


Justin-Jay-720x720_0



This observe begins with an Animal Collectiveish really feel, a really pure sounding acoustic loop with a micro-house beat driving the sound. All of it feels extraordinarily spacious and dreamy however is quickly cured to an infectious bassline and vocal hook. Your entire piece is new territory for this funky-driven home artist and we’re loving each second of the tune. If there may be one factor that we’ve taken from ‘Time’ its that Justin has matured extraordinarily shortly for an artist and he’s not slowing down anytime quickly.




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This Movie Should Make Robert Pattinson A K. Stew–Level Indie Darling


Robert Pattinson as Connie Nikas in Good Time.

A24

The masterfully scuzzy feel-bad Good Time is the type of film that calls for consideration for all of the post-YA decisions Robert Pattinson has been making. Within the 5 years since The Twilight Saga ended, sequence co-leads Pattinson and Kristen Stewart have pursued appearing careers seemingly engineered to place as a lot floor as attainable between them and the glittery supernatural romance that turned them into extremely scrutinized worldwide stars. Stewart's transformation into an art-house and critics' darling has been well-documented, from the meta-commentary of her roles as celeb assistants in Olivier Assayas's Clouds of Sils Maria and Private Shopper to her half as a queer object of want in Sure Ladies.

Pattinson has attained much less approval for what he's been as much as, although it's been equally formidable and auteur-driven. He performed a limo-riding billionaire on a journey of self-destruction in David Cronenberg's chilly, underrated Cosmopolis after which, completely, turned up as a limo-driving struggling actor within the Canadian filmmaker's followup Maps to the Stars. He labored with Anton Corbijn and Werner Herzog in biopics Life and Queen of the Desert, neither of them notably good, however each indicative of excellent style in administrators. He was intriguing as Man Pearce's captive turned sidekick within the dystopian The Rover, and quietly terrific as Charlie Hunnam's worker turned revered colleague in The Misplaced Metropolis of Z. Like Stewart, he's seemingly been freed up by attending to play characters who’re, at greatest, spotlight-adjacent, ones who aren't outsized however who’re completely to scale.

Buddy Duress

A24

That’s undoubtedly the case with Good Time's Connie Nikas, an aspiring lowlife who embarks on a neon-lit crime spree via Queens after a violent offscreen conflict along with his grandmother and a botched financial institution theft. As Connie, Pattinson doesn’t jerk off a canine, regardless of what you will have heard from speak present anecdotes, however he does have interaction in plenty of different eyebrow-raising exercise. He breaks somebody out of police custody, seduces a youngster, and beats a safety guard into unconsciousness. The film, which was directed by brothers Benny and Josh Safdie, portrays Connie as a man who's not half as good or pretty much as good at big-picture planning as he thinks he’s, however who exhibits a sly animal crafty in his moment-to-moment interactions. His overestimation of his legal competence is the explanation he spends a lot of the movie on the run from the cops, making an attempt to salvage a plan that didn't appear all that possible to start with.

Connie's adventures on the lam within the ungentrified reaches of the outer borough unfold like a comedy of errors during which our scumbag hero inflicts a horrible orange-blonde bleach job on himself as a disguise and breaks into an amusement park to strive to determine the place somebody out of their thoughts on acid would cover money. Solely Connie's determined improvisations are hardly ever all that humorous, not when he brings catastrophe into the lives of everybody he touches — a one-man an infection who will get extra harmful because the night time provides method to morning. The chief and most painful little bit of collateral harm is Nick (Benny Safdie), Connie's developmentally disabled brother, who he convinces to participate in a fantasy of stealing cash and beginning a brand new life collectively in Virginia. It's a scheme that lands Nick in jail, the place he's a simple goal, earlier than the movie's opening credit. Connie spends the remainder of Good Time making an attempt to get Nick out, although the extra we get to know him, the much less he appears able to being the type of caretaker Nick wants, even earlier than he entails him in a felony.

Taliah Webster

A24

Connie is mesmerizing and terrible, leaping from one dire scenario to the following like a polar bear navigating melting sea ice. However Pattinson is nice, carrying a movie that sits totally on his rangy shoulders, the hand held digicam regularly jammed up tight on his face as he searches for a means out of no matter predicament he's landed himself in. He performs the character as a type of anti-heartthrob, with not a wisp of outlaw cool to his conduct, and when he ranges his battered seems and allure at girls he needs one thing from, just like the unstable Corey (Jennifer Jason Leigh) and the achingly younger Crystal (Taliah Webster), you are feeling nothing however alarm. It's a efficiency that rests on an understanding that humanizing somebody and making them likable needn’t be the identical factor in any respect.

We come to know Connie fairly properly by the tip of Good Time, simply from seeing how he operates — his puffed-up grandeur, his sense of wounded injustice, his ruthlessness. The movie invitations you to care about what occurs to him with out rooting for him, particularly in its closing act, when Connie and Ray (Buddy Duress), the man traveler he's picked up alongside the best way, kill time in a stranger's house. The solar comes up, the ambiance acquires the pinched feeling of an impending monster hangover, and it turns into more and more clear that no matter occurs to Connie, he's not going to determine a method to repair the mess he's made. And but that's when he lays into Ray, sneering at this fresh-out-of-prison doofus he doesn't wish to admit is his funhouse reflection, and proclaiming his superiority to the “fuckup,” regardless of the 2 males being in the identical dire scenario.

Benny Safdie and Pattinson

A24

You perceive, at that second, that Connie's contempt is a part of his world view, that he will get his highs off having somebody round to look down on, push round, or management. It's a revelation that casts his relationship along with his sibling in an excellent darker mild, as a result of Nick is so clearly weak to manipulation. Connie genuinely loves his brother, but it surely's a poisonous type of love, the type the place you'd readily drag somebody down with you quite than danger being alone. Good Time begins and ends with Nick, however the movie belongs to Connie, and to Pattinson, who lives and breathes the younger man's toxic desperation. It's the type of efficiency that sticks with you, like a layer of grime that must be washed off.



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