Micromegalic Inscriptions: Computed Engravings By Matteo Mauro


‘Micromegalic Inscriptions’ are a collection of computation work which are rooted within the historical past of ornamentation. They reinterpret Wilhelm Kolbe’s etching “I too was in Arcadia”; unique etching is at present a part of the British Museum everlasting assortment. The writer, Matteo Mauro, London based mostly artist and designer, goals to reinvigorate historic ideas of magnificence, as if his experimentation is a continuation of a protracted journey, which retains evolving, and reworking by the usage of trendy instruments, in creating societies.

His computed inscriptions don’t simply reinterpret the mechanical processes of engraving of the picture content material, however epitomise the evo¬lution of mass manufacturing practices and the inevitable symbiosis be¬tween the person and the machine. In these work mathematical guidelines advert pure spontaneity are coded by the artist and processed by a software program. The outcomes are overwhelming photographs that create new metaphors to complement conventional paradigms. In these, there’s a issue of novelty; nonetheless, as a result of they maintain achieved guidelines of metamorphic dy-namism, curvature, and conventional strategies of engraving, abstraction nonetheless refers back to the level of departure.

Extra information: matteomauro.com

I Too Was in Arcadia Etching by Carl Wilhelm Kolbe, 1801

Computed Etching – Matteo Mauro

Preliminary picture Tracing – Matteo Mauro

I too was in Arcadia, 2017

I too was in Arcadia, 2017

I too was in Arcadia, 2017

Figures Element

Engraving Element

Figures Element



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