Though Walker & Royce have been placing out tracks since 2011, it wasn’t till this summer season that they actually began turning heads. “Take Me To Your Chief” was a smash hit; practically each home DJ was dropping it of their units. Not solely that, however Walker & Royce managed to supply a home tune that was extraordinarily accessible. You didn’t even want to love or pay attention to deal with music to groove to it, even non-house followers beloved it.
“Take Me To Your Chief” was an awesome monitor to seize everybody’s consideration. Only a month later, the duo launched one other monster, “Rub Anotha Dub,” with the legendary Inexperienced Velvet, which was the proper comply with up. It was right here that it was revealed that these two tracks have been in actual fact a part of a full size album titled Self Assist through Dirtybird.
In an digital world filled with EP releases, it’s very uncommon to see any home DJs/producers releasing precise albums. It’s clear Claude VonStroke noticed one thing very particular in them, and pushed them to supply increasingly more. The end result, which I used to be capable of expertise firsthand at Dirtybird Campout, was pure gold. If I’m remembering accurately, Walker & Royce premiered practically each monitor off of Self Assist throughout this set (apart from the 2 singles), and minds have been blown. It was very clear that they’d a breakthrough of their manufacturing. Practically all of the tunes featured their (now) signature, closely distorted bass traces. With out having something to check the sound to, I simply began calling it “fuzzy” bass.
The primary monitor off Self Assist, “Sunday,” is a transparent step exterior Walker & Royce’s consolation zone. Most of their prior tracks are straight-to-the-point home music. “Sunday” begins with a hip-hop impressed beat, however shifts right into a shiny, emotional monitor inside seconds. If this monitor signifies something, it’s that this album goes to be nothing just like the Walker & Royce you knew earlier than. It’s an ideal lead into the following monitor, “Function Fashions” that includes OnCue. This monitor is, as soon as once more, an excellent additional step exterior their consolation zone. This time, the Brooklyn duo create their most radio-friendly tune thus far, whereas nonetheless using their “fuzzy” bass traces. Hopefully you may sing and dance on the similar time, as a result of “Function Fashions” will likely be having you do exactly that. OnCue’s vocals sound a bit bit tacky, however for some motive it simply matches so nicely that I wouldn’t change it in any means.
Now we begin moving into the heavy stuff. The third monitor, “Finest Observe Ever,” is already a fan favourite. Displaying their never-ending versatility, Walker & Royce begin the monitor off with a ridiculously spicy acid-house drop that will even throw you off steadiness. The monitor vans ahead with the acid synths till it stops lifeless in its tracks and explodes with one other filthy, distorted bass line that may twist your face up each which means. “Finest music, ever” the vocals boast earlier than throwing you into this wild experience of a tune. Try to maintain on.
Observe No. four might be my present favourite off Self Assist. Younger Australian vocalist Sophiegrophy shines on this insanely catchy reduce. I can inform you with certainty that this tune went OFF at Dirtybird Campout. This was the primary time anybody was listening to it and the quantity of mud that was being kicked up as a result of uncontrollable dancing made it seem to be a twister was tearing by way of the group. Right here, Walker & Royce present us that generally, simplicity is essential. The monitor is spearheaded by Sophiegrophy’s vocals, however fueled by W&R’s fats 808s and left-field synth stabs. After all, it wouldn’t be full and not using a buildup that leads right into a burst of distorted bass that slaps you within the face close to the tip of the tune.
It’s at this level within the album, when “Take Me To Your Chief” is available in, the place you might be asking your self, “Holy shit, is each music going to be this good?” Sure. Each music. Go get a glass of water as a result of we’re solely midway accomplished with this sucker.
“Why Tho” follows, and it incorporates all my favourite parts to a monitor. Hypnotizing melodies, heavy 808s, with an eventual drop into some extra “fuzzy” bass. The monitor was adequate to be picked up for a premiere over at Complicated. Don’t even take into consideration skipping this one.
Dances With White Ladies returns for his second look on Self Assist, offering his wonky vocals to “Love & Marriage.” It’s one factor to listen to him take management of a monitor, however it’s one other to see him dancing round on stage, goofing round, and singing reside with all the opposite Dirtybird artists getting down with him. This was the precise scene at Campout and I received’t overlook how a lot enjoyable it was. I sincerely hope Walker & Royce proceed to work with Dances With White Ladies sooner or later, as a result of they make an ideal crew.
Up subsequent is the extremely coveted monitor “Warkin It.” This monitor, I imagine, was first performed out by Claude VonStroke through the first night time of Dirtybird Campout and it positively obtained folks speaking. “What is that this shit?!” I heard folks yelling as they jumped round wildly. It wasn’t till the following night time that it was confirmed that this was certainly a Walker & Royce monitor. This monitor is a distorted, “fuzzy” bass overload. The repetitive vocal reduce echos again and again whereas the bass within the background swells up and up till it reaches its tipping level. I most likely ought to have said this earlier, however you’re actually going to wish an excellent sound system to really respect the complexity of Walker & Royce’s new sound. It sounded unbelievable reside, however finest imagine it received’t sound the identical on some easy earbuds.
You’d suppose in some unspecified time in the future there can be an interlude on this album, you recognize, so you could possibly catch your breath. Nope. “Warkin It” leads immediately into one other banger, “Can You Cross That” that includes JPatt. My favourite half about this monitor is the tempo. It takes about two full minutes to get into the true meat of it. As soon as JPatt’s vocals are available in, you suppose you’re about to be despatched into one other lengthy, epic construct up. However as a substitute, you’re shoved proper right into a wave of bass. JPatt’s vocals are maybe the catchiest on Self Assist. The monitor progresses even additional with distortion so heavy you suppose you’d discover it in a dubstep tune. One factor you’ll by no means get with a Walker & Royce monitor is a copied and pasted drop. At no level on this album does a sure a part of a monitor repeat itself. Perhaps that’s why all the pieces feels so contemporary. Home music is of course repetitive, however it doesn’t really feel that means in any respect, right here.
Walker & Royce have said that Inexperienced Velvet is considered one of their idols, and that “Rub Anotha Dub” took the longest to finish. They wished it excellent since they have been working with somebody they appear as much as a lot. Nicely they obtained it fairly rattling excellent. Inexperienced Velvet should additionally agree, as a result of he’s allow them to remix considered one of his all-time well-known tracks “La La Land,” which is popping out late December.
Though the album is 11 tracks deep, every monitor is almost 6-7 minutes lengthy. If you happen to’ve listened during with me right here, you’ve been rocking out to deal with bangers for an hour straight. “Want Ya,” that includes vocalist Forrest, continues to be a reasonably high-energy music, however in comparison with the remainder of the album, it’s extra of a mellow tune. This positively seems like a come-down monitor, however nonetheless options all the weather that made Self Assist so nice.
I’m unsure the place or when it occurred, however Walker & Royce had a manufacturing revelation in some unspecified time in the future throughout 2017. It first appeared six months in the past on their remix of Justin Martin’s “The Feels,” after which once more on their visitor look on Billy Kenny’s “The Lonely Robot.” Their sound design was merely taken to the following stage. Claude VonStroke will get a bit credit score for pushing Walker & Royce to supply extra and get this sound on the market, as a result of I really suppose it’s recreation altering.
It’s uncommon to see home DJs/producers placing out a full size album. It’s additionally uncommon for each single music on a full size album to be SO good. Someway each of these items are true within the case of Walker & Royce’s Self Assist. It’s been some time since I used to be this blown away by an album. I contemplate myself loopy fortunate that I used to be capable of expertise the entire thing reside, and I insist that you simply catch W&R on their Self Assist tour.
Walker & Royce – Self Assist: 10/10
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